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Adolph von Menzel The Artist-s Sisters oil painting


The Artist-s Sisters
Painting ID::  33913
Adolph von Menzel
The Artist-s Sisters
mk87 1847 Oil on canvas 46.1x31.6cm Munich,Neue Pinakothek

   
   
     

Adolph von Menzel Das Eisenwalzwerk,Ausschnitt:Einschieben des Blockes in das Walzwerk oil painting


Das Eisenwalzwerk,Ausschnitt:Einschieben des Blockes in das Walzwerk
Painting ID::  34347
Adolph von Menzel
Das Eisenwalzwerk,Ausschnitt:Einschieben des Blockes in das Walzwerk
mk92 1875 Berlin, Nationalgalerie

   
   
     

Adolph von Menzel The Balcony Room oil painting


The Balcony Room
Painting ID::  38598
Adolph von Menzel
The Balcony Room
mk138 1845 Oil on carboard 58x47cm

   
   
     

Adolph von Menzel The Artist-s Bedroom in the Ritterstrabe oil painting


The Artist-s Bedroom in the Ritterstrabe
Painting ID::  38599
Adolph von Menzel
The Artist-s Bedroom in the Ritterstrabe
mk138 1847 Oil on cardboard 56x46cm

   
   
     

Adolph von Menzel Rear Courtyard and House oil painting


Rear Courtyard and House
Painting ID::  38600
Adolph von Menzel
Rear Courtyard and House
mk138 1844 Oil on canvas 44.5x61.5cm

   
   
     

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     Adolph von Menzel
     1815-1905 German Adolph von Menzel Gallery His father was the headmaster of a school for girls, and intended to educate his son as a professor; but he would not thwart his taste for art. Left an orphan in 1832, Menzel had to maintain his family. In 1833 Sachse of Berlin published his first work, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe's little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkw??rdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies. From 1839 to 1842 he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of the king Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedricks des Grossen (1843-1849). By these works Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line. Pencil drawing by Menzel, 1891.Meanwhile Menzel had set himself to study unaided the art of painting, and he soon produced a great number and variety of pictures, always showing keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among the most important of these works are The Forge (1875) and The Market-place at Verona. Invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting. In Germany he received many honors, and was the first painter to be given the Order of the Black Eagle in 1898 which included a title of nobility, becoming von Menzel.

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